Costas Evangelatos 
Stark life images
Artist finds creative use for fried chicken
Last month, an exhibition of ink drawings by Kostas Evangelatos opened at the Pantazidis Gallery in Pagrati.
The exhibition is entitled Doriki Katagrafi, or Doric Scripts. It bears this name because the work has the same base as the ancient Doric art, namely aesthetic simplicity.
Also, Evangelatos believes his work writes itself, creating its own stories in people's imagination, and therefore consciously chose the title.
The display is divided up into two parts, which mark different eras in the artist's life. The first part is called "Bodygraphics" and consists of a collection of drawings of human bodies, positioned in circles. The way the bodies are depicted is very detailed and reminds one of anatomical studies as they were carried out in the Renaissance period by great names such as Leonardo Da Vinci. Many of the drawings also bear mathematical symbols, such as arrows or letters.
"That's true", Evangelatos says, "I have always been greatly influenced by classical and Renaissance art. In my work, I hold on to traditions. I elaborate on them and make them contemporary.
Circles are the symbol of totality, universality. In this particular collection, I have consciously positioned the bodies in circles to indicate the idea that everyone's body is his or her own little universe within the whole. This idea, humanism, has always been a source of inspiration for me."
The second part of the exhibition consists of a large collection of landscapes from the Ionian Sea. Rocks, stones, clouds, ruins and trees are depicted with the same finesse as the bodies.
However, the atmosphere created is different. The landscapes make a very melancholic, nostalgic and poetic impression. "That is the idea. I also write poetry and I believe that my drawings tell the same tales in images as my poetry does in words. These landscapes actually relate to the very first work I did. I was born on Kefalonia and my first drawings were of impressios of the island. Although they were in bright coloros, whereas these are in black and white, they still remind me of my home and my childhood" says Evangelatos.
Evangelatos has consciously chosen to keep the pictures in black and white, because it shows the most extreme contrast between the positive and the negative; life and death, it could be said. This contrast is carried further in the actual images themselves. Rocks and ruins on one hand (dead, static) and trees, birds and water on the other (active, dynamic, moving) symbolize the idea of resurrection. A similar thing is seen in "Bodygraphics". By means of the detailed depiction of muscles within the bodies and the regular use of arrows, a dynamic effect is created.
Evangelatos is, first and foremost, famous for his large oil paintings and his later watercolors. Also, he generated a lot of controversy over his activities as a performance artist. In 1985, for example, he stood outside John Lennon's house wearing nothing but rolls of telex paper, in order to warn the world that humanity was on its way to becoming "covered" with technology. A performance, in 1987, was dedicated to those who had died of AIDS, The Dada Gallery in Athens he transformed into an ancient grave with a long corridor. At the end of the corridor, a nude young boy stood, his private parts covered in telex paper, to which photographs of AIDS patients were stuck.
In December last year, Evangelatos hung fried chickens from the roof of the art studio Est, pieces of which he offered to his public. "I did that because I don't feel people communicate with art anymore. Rather than (see it) as the expression of something, they see it as something that can be bought and sold. Too many people buy art to impress others, or just because there is a great name attached to it. I don't think that's right. Instead of buying art for the sake of it, they should look at it critically in order to find its deeper meaning. Only if that is done, and done properly can art be fully understood" says Evangelatos.
 
KARIN SITALSING 
Special to the Greek Times